Tuesday, March 30, 2010

Everyday Author

Dr. Barber just sent this note updating the reference number on The Dioscuri:

Actually, the Library has been stored in Burlington, Vermont, and is now on its way to Vancouver, Washington, where it will become and permanent, interactive exhibit in the Clark County Historical Museum.

Ahead of the collection's arrival we have received an inventory and your book is listed as part of the collection. The Mayonnaise System Catalog Number is different, however. Here is the listing as it appears in our inventory:
Michaele Benedict
(Montara, CA)
Love: LOV 1990.004
This is a novel set in Greece which incorporates myth, magic and music into a contemporary story. Madeline and Yanni, daughter and adopted son of an American Quaker doctor, are the “twins" who are inseparable as children, and who, as adults, try in vain to live separate lives.

The Library Lives!

The Brautigan Library is alive and well in Vancouver, Washington, after traveling from Vermont to San Francisco, where it reposed in storage for four years. This collection of unpublished manuscripts written by "everyday authors" will becomea permanent collection of the Clark County Historical Museum, the former 1909 Andrew Carnegie library building in downtown Vancouver.

As one of the "everyday authors", I am gratified to learn that this funny bunch of writing, about 400 manuscripts inspired by a fictional library in a 1971 novel by Richard Brautigan, will be preserved.

The Digital Technology and Culture Program at Washington State University, headed by Dr. John F. Barber, is working with students and a team of local and international volunteers to reopen the Brautigan library and to "continue its original mission of connecting writers and readers of personal narratives".

According to the Library's web page (http://www.thebrautiganlibrary.org/) plans call for the organization to collect and circulate unpublished digital manuscripts and to "provide opportunities for research, conferences, exhibits, and creative activities."

Dr. Barber says "The Brautigan Library is not about publishing, or even about literature. It's about people telling their stories in a democratic way. It is a public home for personal narratives in a digital age."

I'm not sure how I feel about The Dioscuri's being called non-literary or about being called an "everyday author" (whatever that means), but I'm glad the Library is coming out of the basement.

Tuesday, March 23, 2010

Telling Your Story

In his novel The Abortion: An Historical Romance 1966, Richard Brautigan wrote about a library where anyone with a story to tell could write it out and put it on the shelves for others to read. The overseer of the library, which was open 24 hours a day, lived there. The fictional library was based on the Presidio Branch of the San Francisco Public Library,

Inspired by Brautigan’s idea, in 1990 the Brautigan Library was founded in Burlington, Vermont, by Todd Lockwood, a Brautigan fan, together with poet Robert Creeley and Brautigan’s daughter Ianthe.. Instead of the Dewey Decimal System used by most libraries, the Brautigan library categorized its books according to the Mayonnaise System, referring to the fact that the library in the novel used mayonnaise jars as bookends.

My unpublished novel, The Dioscuri, registered with the Brautigan Library May 25, 1990, was given the Mayonnaise catalog number LOV1990.05.003. The 325 books of the Brautigan Library archive (which included Brautigan’s typewriter) traveled to Seattle for a book fair, then back to its basement home in Vermont. It changed addresses in Burlington a number of times, finally winding up in the public library. In 2005 the Fletcher Free Library in Burlington decided it would be fitting to ship the collection to the Presidio branch of the San Francisco Public Library. Whether or not the collection actually made it I have not been able to find out, despite many inquiries. The last posted information about the move was a 2005 story in the Boston Globe.

What I wanted to talk about, however, was not the Brautigan Library itself but rather the idea behind a library where everyone could tell his or her story without the assistance of agents, publishers and editors. True, there is the Internet. But not everyone has access to a computer, and some people still like the idea of something written on paper.

I spend at least four hours a day writing at the computer, mostly for fun these days, though occasionally I will send something off to a magazine, and once in a while something will be published. I am a hundred pages into Murder at the Parthenon, a mystery novel set at a Tennessee newspaper in 1954. Certainly this effort is spurred by the love of the old newspaper technology, with its Linotypes and locked pages. I meet regularly with a writer friend so we can toss ideas back and forth and nag each other about keeping our noses to the grindstones.

I am working on a biography of the pianist and teacher Egon Petri, part of which has appeared in magazines and on a piano pedagogy website originating in Finland, of all places. I am editing a wonderful work in progress by a friend who wants to tell her story about meditation. And I am proof-reading an exquisite collection of songs by a composer friend.

There is a modern facility which somewhat resembles Richard Brautigan’s library. My nonfiction mystery, Searching for Anna, was published in February by this organization, Lulu.com. Lulu is an international print-on-demand publisher, some of whose thousands of titles strongly evoke those of Brautigan’s fictional library, such as “Growing House Plants By Candlelight”. Anybody can tell a story on Lulu. For a small fee, a book book can even get an ISBN number and be entered into Books in Print, which means it is available through outlets such as Barnes and Noble and Amazon.

Everybody has a story. Jung said that in most disassociated “normal” living, one’s story was often interrupted. He said psychology’s primary function was to retrieve that story and reunite the individual with it.

One of the best pieces of writing I ever encountered was by a Skyline College student who had brought his essay to the Tutoring Center, hoping for help with his English. The story, laboriously written in longhand, was about how to wash dishes. The student’s grandmother had taught him the proper way to wash dishes, and in the telling of the story, the student revealed himself: Loving, respectful, obedient, attentive to detail, humble. The language was awkward, but the story was truly touching.

How to tell your story: Hemingway said to place the seat of the pants on the seat of the chair and move the hand from left to right, or something to that effect. I would add a bit about spelling and grammar, but really it seems to be mostly about having something to say, saying it as honestly as you can, and then hoping somebody reads it and understands what you meant.

(Reprinted from June Morrall's Half Moon Bay Memories)